Christian Laveau laments the cinematic representation of Native Americans.
In many Hollywood movies, they live in teepees on the periphery of modernity, ride horses, dress in swatches of animal skin and plumed headdresses, and are armed with spears and brute force.
"It makes me sad, as we are true cultures that are still alive and deserve respect as any other," said the resident of Wendake, a reservation in northwest Quebec, Canada, about the cliches in popular culture.
Laveau, 40, is one of three indigenous performers — the other two are from the United States — in Cirque du Soleil's production "Totem." Director and playwright Robert Lepage stumbled across his talent at a summer powwow, unbeknownst to Laveau.
The two got to talking and Lepage made an offer, which was met with trepidation by the man in question, his parents and their nation's elders, all of whom were afraid of being portrayed, yet again, as clowns. And, at first, Laveau said no.
But, when Cirque du Soleil founder Guy Laliberte heard Laveau's voice on a recording, he was captivated by the inherent spirit. And he wasn't willing to take no for an answer. He summoned Laveau to a meeting and ran the concept of the show by him.
Now, four years later, Laveau — who has worked closely with his tribe's leaders and Lepage to ensure accuracy — draws comfort from the fact that "Totem" pays tribute to his heritage.
"They gave me a very special place in the show," he said. "I sing in my mother language with great privilege. For many in the audience, this is the first contact with natives, so we have to show the truth."
The history of humankind
Laveau is among "Totem's" 47 cast members from 15 countries who will be in Irvine at the Orange County Great Park starting Nov. 21. The engagement, which comes on the heels of a successful run at the Port of Los Angeles in San Pedro, is slated to run through Dec. 29.
"'Totem' carries you through the evolution of man and our civilization," said artistic director Tim Smith. "It brings you through our constant need to progress forward, which we have done successfully for many years, and to go upward into space."
Created by Lepage in 2010, the two-hour spectacle features a high-bar act by artists dressed as frogs, a group balancing bowls on their heads while perched on seven-foot unicycles, and dancers armed with hoops and others on roller skates. Along with a trio performing on suspended rings to the accompaniment of Bollywood music, guests will view Guilhem Cauchois and his partner on a trapeze.
The 24-year-old Frenchman's love affair with the circus began when he was 7. While other children his age were taking tennis or soccer lessons, he trained in juggling, theater, trampoline and tumbling.
"Inside one discipline, I could learn many different skills," he said. "What I found was that the art form combined acting, dancing and acrobatics. I could do so many different things with my body."
Quickly realizing that he wanted to devote his life to the craft, Cauchois focused on overcoming his fear of heights so that he was free to learn new tricks and choreography. Under Cirque du Soleil's trademark blue and yellow big top, he joins his partner, Sarah Tessier — the two met at Montreal's National Circus School and regard one another as siblings — for the playful and seductive discovery of young love.
An eye on safety
Earlier this year, Cirque du Soleil, which last came to Irvine in 2010, made headlines for a much more serious reason. At a show June 29 at the MGM Grand in Las Vegas, acrobat Sarah Guyard-Guillot died after falling 94 feet during a midair battle scene in "Ka" when the wire rope connecting her to a safety harness detached.
The accident was the first of its kind in Cirque's 29-year history.